Ordinary People (1980)

"Ordinary People" is the second film I showed to my film class this week.  It was adapted from the book by Judith Guest and was Robert Redford's debut as a film director. It beat out Martin Scorsese's "Raging Bull" that year as Best Picture at the Oscars.  "Raging Bull" is arguably more stylish but not as well written.

We were talking about narrative in film class and the difference between "plot" (how events are shown in a movie) and "story" (the events in chronological order including backstory and events not shown).  "Ordinary People" has a lot of cool flashbacks that are well placed throughout the film and that slowly reveal what happened to this outwardly "perfect" family.

Flashbacks include Conrad, the son, seeing rows and rows of headstones as he's stopped at a railroad crossing in a car full of boys heading to school that is very curious and disturbing.  Then there is Calvin, the dad, remembering dancing with a younger Beth in some disco bar.  There are the memories Calvin has of banging on Conrad's door and then a shot of a red siren flashing that is very powerful. And the nightmares Conrad has about some boat in a storm at night.

I hadn't seen this film in awhile, but I remembered loving it.  It holds up well after 30+ years.  I still think it's one of the best movies on depression.  It shows how some people don't want to deal with it, some people are ashamed of it, and some people ask stupid questions about it.

I also adore Donald Sutherland in this movie and in "Klute."  Timothy Hutton too is perfect in this role as a twitchy guy who has pretty large mood swings, one scene breaking down or hiding in his room, and one hilarious scene where he is so happy he sings "Hallelujah" at the top of his lungs all the way home from school.

 

Judd Hirsch (I love how his tie is all askew here.)

Judd Hirsch plays Conrad's therapist, Dr. Berger, and though he says "kiddo" too many times in my opinion, he is a therapist we'd all like to have.  Therapists don't answer phones in the middle of the night to my knowledge anyway.  The therapy scenes are extremely funny too as Dr. Berger encourages Conrad to get angry and Conrad gets to talk about masturbation.

Elizabeth McGovern

Elizabeth McGovern plays a girl from choir whom Conrad is interested in.  She's really cute in this movie.  I told my students about three different times, "She's the mother in 'Downton Abbey' now," but I don't think they were excited about this as I was.

The last scene of the film is overly sappy--dad and son hugging and crying, so much so I was embarrassed showing that part to my students.  Why am I so uncomfortable when men are over-emotional?  Maybe that's bad conditioning on my part.  Maybe they could just have Calvin say to his son, "We're going to be okay."

Another aspect that makes me uncomfortable about this movie is that the mom, Beth, is such a nightmare.  The student beside me said about five times out loud, "She is so scary."  Beth is almost as evil as Nurse Ratched in "One Flew Over the Cuckoo's Nest."  Both roles are scary to me because I think roles like these can make people seriously hate women, but hopefully that is just me being paranoid.

Alvin Sargent wrote the screenplay for this movie and his name and this movie comes up a lot in books on screenwriting I read. I took a screenwriting course last summer and the scene where the grandparents are taking photos of the family and Beth doesn't want to take a photo alone with Conrad was shown as one of the best examples of subtext.

I've also read that a film like "Ordinary People" would never get greenlit in today's Hollywood.  If this is true, I hope this changes because this movie is the type of movie I really enjoy seeing.

The Artist (2011)

"The Artist" is the first film I'm showing my film class tomorrow.  It's a great film and a good one to start with because it is a silent film that celebrates old Hollywood when the sign on the hill said "Hollywoodland."  Students will get to see a story told just in pictures--what Alfred Hitchcock referred to as "pure cinema."

This film got great reviews, five stars on Rotten Tomatoes, New York Times Critics Pick... It was nominated for ten academy awards and won five including Best Picture, Best Director, Best Actor, Best Costume Design and Best Original score.

The movie takes place in 1927, when silent films were golden, through 1929 with the coming of sound and the stock market crash, and all the way up until 1932.  A silent film star, George Valentin, (surely a play on the silent film actor name Randolph "Valentino") gives a new star, Peppy Miller, her start and then their roles reverse and George is floundering in a world of "talkies" while Peppy flourishes.  In this way it reminded me of the films "A Star is Born" (all three versions: Janet Gaynor, Judy Garland, Barbara Streisand) though with a much happier ending.

Great supporting roles include a jack russell terrier, John Goodman as a studio boss, Penelope Ann Miller as George's first wife, Malcolm McDowell as the butler, and James Cromwell as George's chauffeur.

There are moments in the film that are so beautiful.  One of them for me occurs when Peppy shows up at George's doorstep in the pouring rain apologizing for her film doing well and not his.

Hopefully my students won't find the range of emotions too melodramatic and hopefully they will enjoy the dance numbers that are Fred Astaire/ Ginger Rogers-quality.  The best part of the film, for me, is how it portrays the ability of one person to bring another back from the brink of despair.